Theatre of the world

The first European Opera days were held in February 2017, at the exact same time as Opera europa and Opéra national de Paris hosted the first European Opera Forum, in collaboration with Fedora, 
RESEO and Juvenilia. 


The European Opera Forum brought together over 600 participants – around 400 opera professionals, 50 artists, 70 opera lovers and friends and over 100 young delegates. But in order to make this major gathering and debate on opera resonate for the 400th anniversary of the genre, the European Opera Days were created, encouraging opera companies around Europe to open their doors and welcome diverse audiences for special activities. With over 100 participating opera companies, it was a great success – with audiences and with the media – and members asked for this great PR exercise for opera to be repeated.

Since then, a yearly theme gives each edition a new angle, a new hook to create new means to talk to local communities. Research via audience surveys shows that over 60% of participants have their first encounter with their opera house during our festive weekend. And it is an achievement that since the first edition, over 1.000.000 people have taken part in the rich and diverse initiatives offered during the European Opera Days.

This year sees the 10th edition of the European Opera Days. To celebrate this milestone, a particular theme was chosen: Theatre of the World. 

Because we all believe in the strength of music to talk beyond language barriers, beyond national borders and beyond cultural differences. Because already the Greek believed in a public place for debate, because Shakespeare believed the world is a stage, because society needs a place to question and challenge itself, and because subsidised cultural experiences are not only about heritage but also about creation. Because opera brings together theatre and music, because opera is nothing else than Theatre Plus.

So, for a few hours during the weekend of 6 to 8 May 2016, we encourage all European opera companies to reach out and open a dialogue – with a small group during a debate, with passers-by during a flash mob, with an auditorium full during a rehearsal, with the masses during guided tours, with governing bodies in the media… Any initiative, of any size, for any audience, is a valid way of celebrating opera, communicating the relevance of its message and the richness of its experience.
Opera Europa coordinates a European communication campaign, and strongly encourages and supports national coordination of communication, in parallel with your use of your local usual (and unusual) channels. 


The Opera Platform celebrated the European Opera Days!

On the weekend of 6 to 8 May, The Opera Platform celebrated its first anniversary as well as the tenth edition of the European Opera Days.

To open the weekend, Oper Stuttgart  streamed a performance of Philippe Boesmans' Reigen live on Friday evening, conducted by their Music Director Sylvain Cambreling who conducted its creation on Brussels in 1993. During the rest of the weekend, most of the performances shown on the platform since its launch were available to stream on demand in addition to the rich current programme. Teatro Real's La traviata, Latvian National Opera's Valentina, Finnish National Opera's Kullervo, Wiener Staatsoper's Götterdämmerung, Den Norske Opera og Ballet's La bohème, La Monnaie's Powder her face and Polish National Opera's The Haunted Manor returned for the enjoyment of all, subtitled in 6 languages.